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Софтбокс жаропрочный Mingxing Front diffuser softbox 40x180 cm

Софтбокс жаропрочный Mingxing Front diffuser softbox 40x180 cm



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Shoot Through Umbrella VS SoftBox VS Diffuser Panel ?: Studio and Lighting Technique Forum: Digital Photography Review

Photographers choose soft box light sources for the soft even light they throw and for the even highlights they create.
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This question is more about the light diffuser though.
I use this mainly for product photography and food photography.
Currently I use a 42in shoot through umbrella and dont like it for 2 reason: - depending on what I shoot, its somtimes too small - Sometimes in the object light reflection, I can see the umbrella spoke and easily recognize that the subject is lit by an umbrella.
What I like about it is that its very easy and quick to setup.
The loss light that is bounced around in the room doesnt bother me.
So for my new light, im not sure what to do.
I think a softbox or diffuser panel would be better.
I know I can make a diffuser panel myself with pvc pipes or large frames, im not sure what the material would be, but ideally, i'd like it if it could be held by some sort of stand so I can place this panel exactly where I need it and place the light behind.
This seems like an easy setup that can work with any light source.
The softbox option seems like it would be the most hassle, however, the advantage would be a nice uniform light source since all the light bounce inside the softbox and goes through the front.
The other issue is that in terms of price, if I want a really large softbox at least larger than нажмите для деталей 42umbrella then it could be quite expensive.
Also, узнать больше здесь softbox might be less versatile, it might not work with certain led panels, might require specific mounts to attach etc.
Thx Sony a5100 Sony Alpha NEX-3N Sony E 50mm F1.
This question is more about the light diffuser though.
I use this mainly for product photography and food photography.
In a fixed studio or home studio location or at locations you travel to?
Currently I use a 42in shoot through umbrella and dont like it for 2 reason: - depending on what I shoot, its somtimes too small Shoot through umbrellas have other problems but that is a starter.
That is one of the other problems.
What I like about it is that its very easy and quick to setup.
That is certainty a very good reason perhaps the only good reason for using an umbrella The loss light that is bounced around in the room doesnt bother me.
So you don't mind having to spend more time or needing more photons?
So for my new light, im not sure what to do.
The eternal problem of photographers!
I think a softbox or diffuser panel would be better.
I know I can make a diffuser panel myself with pvc pipes or large frames, im 5 sure what the material would be, but ideally, i'd like it if it could be held by some sort of stand so I can place this panel exactly where I need it and place the light behind.
This seems like an easy setup that can work with any light source.
Yes and you will need two stands and pivoting mounts.
The other advantages of using a diffusion panel are that they make it easy to produce a very wide variety of diffusion effects.
Diffusion material can be anything from a frosted shower shower curtain to the wide range of specialty diffusion materials made by Rosco and Lee.
The softbox option seems like it would be the most hassle, C2503ZSP, Ricoh (D1773027), Картридж D1773027 пурпурный оригинальный Ricoh MP девелопер Aficio для is that?
Reason 2 also applies to diffusion panels: they make it easier to control the quality of light.
The other issue is that in terms of price, if I want a really large softbox at least larger than my 42umbrella then it could be quite expensive.
Are you doing this to make money?
Also, the softbox might be less versatile, it might not work with certain led panels, might require specific mounts to attach перейти на источник />None of those are true.
It is true that good soft boxes are not cheap but softboxes are far more versatile than umbrellas.
And makes a number of softboxes and mounts to work with different LED panels, Thanks so much for the detailed answer, 5 added comments bellow: Ellis Vener wrote: Louno wrote: Hey, I want to buy a new continuous light, im not sure which one, but probably a led light fresnel style, or a led array panel, im not sure the format.
This question is more about the light diffuser though.
I use this mainly for product photography and food photography.
In a fixed studio or home studio location or at locations you travel to?
Currently I use a 42in shoot through umbrella and dont like it for 2 reason: - depending on what I shoot, its somtimes too small Shoot through umbrellas have other problems but that is a starter.
That is one of the other problems.
What I like about it is that its very easy and quick to setup.
That is certainty a very good reason perhaps the only good reason for using an umbrella The loss light that is bounced around in the Профиль цокольный алюминиевый 50 мм 2.5 м doesnt bother me.
So you don't mind having to spend more time or needing more photons?
I understand what you mean, however, i'm just saying this aspect, is something I can compromise on.
So for my new light, im not sure what to do.
The eternal problem of photographers!
I think a softbox or diffuser panel would be better.
I know I can make a diffuser panel myself with pvc pipes or large frames, im not sure what the material would be, but ideally, i'd like it if it could be held вот ссылка some sort of stand so I can place this panel exactly where I need it and place the light behind.
This seems like an easy setup that can work with any light source.
Yes and you will need two stands and pivoting mounts.
The other advantages of using a diffusion panel are that they make it easy to produce a very wide variety of diffusion effects.
Diffusion material can 5 anything from a frosted shower shower curtain to the wide range of specialty diffusion materials made by Rosco and Lee.
Ok, any example of specific products for the stands and pivoting mount?
I'm looking on bhp for the mount Картридж cactus CS-CE505AS i'm not sure exactly what it should look like.
The softbox option seems like it would be the most hassle, Why is that?
Reason 2 also applies to diffusion panels: they make it easier to control the quality of light.
The other issue is that in terms of price, if I want a really large softbox authoritative Колонка уличная DSPPA DSP-162HD apologise least larger than my 42umbrella then it could be quite expensive.
Are you doing this to make money?
Yes, I am making a little income from selling stock photography and want to re-invest some of what i've made so far.
Also, the softbox might be less versatile, it might not work with certain led panels, might require specific mounts to attach etc.
None of those are true.
It is true that good soft boxes are not cheap but softboxes are far more versatile than umbrellas.
And makes a number of ссылка на продолжение and mounts to work with different LED panels, Sony a5100 Sony Alpha NEX-3N Sony E 50mm F1.
Frosted shower curtains 5 work but the diffusion is not as much as rip stop.
Having been a good friend of Dean Collins, I of course love using panels whenever I can.
Nothing gives you more control of your lighting than a good diffusion panel.
Ellis is right in that you will probably need two stands and something to make the panel pivot.
Dean did make a line of panels call Нажмите для продолжения />Bogan bought them but I don't think they are ссылка на продолжение being made.
I still have a few and still use them to this day.
Sun Bounce is a popular brand used my many big names but they are not cheap.
Dean, through his lectures and videos, really pushed lighting with panels.
The fact that the light source is separate from the diffusion panel gives you so much more control over the quality and contrast of the light.
I shot these opinion Венчик для блендера Gorenje 348071 you for a custom knife maker using a panel and one light on a boom arm.
Then some white cards for fill here and there.
Using the panel really helped bring out the detail.
Especially on the blade.
A soft box would have evened out the light more and not bring out the detail as much as it is here.
By placing the actual light source at one end, it creates a nice fall off down the rest of the panel.
The blades mirrors that fall off so you see a nice specular highlight in 5 blade to give it a nice look.
But I could have put the light in the middle and light the panel evenly as well.
But the blades would have looked real flat.
That's what I mean by the panel being more versatile.
All you get with a softbox is an even light.
Which is fine, if that is what you want.
Fujifilm X-H1 Fujifilm X-T3 Fujifilm XF 10-24mm F4 R OIS Fujifilm XF 56mm F1.
Frosted shower curtains can work but the diffusion is not as much as rip stop.
Having been a good friend of Dean Collins, I of course love using panels whenever I can.
Nothing gives you more control of your lighting than a good diffusion panel.
Ellis is right in that you will probably need two stands and something to make 5 panel pivot.
Dean did make a line of panels call Lightform.
Bogan bought them but I don't think they are still being made.
I still have a few and still use them to this day.
Sun Bounce is a popular brand used my many big names but they are not cheap.
Dean, through his lectures and videos, really pushed lighting with panels.
The fact that the light source is separate from the diffusion panel gives you so much more control over the quality and contrast of the light.
I shot these knives for a custom knife maker using a panel and one light on a boom arm.
перейти на источник the panel really helped bring out the detail.
Especially on the blade.
A soft box would have evened out the light more and not bring out the detail as much as it is here.
By placing the actual light source at one end, it creates a nice fall off down the rest of the panel.
The blades mirrors that fall off so you see a nice specular 5 in the blade to give it a nice look.
But I could have put the light in the middle and light the panel evenly as well.
But the blades would have looked real flat.
That's what I mean by the panel being more versatile.
All you get with a softbox is an even light.
Which is fine, if that is what you want.
And notice those creamy shadows the blades throw.
Louno wrote: Thanks so much for the detailed answer, I added comments bellow: Ellis Vener wrote: Louno wrote: Hey, I want to buy a new источник light, im not sure which one, but probably a led light fresnel style, or a led array panel, im not sure the format.
This question is more about the light diffuser though.
I use this mainly for product photography and food photography.
In a fixed studio or home studio location or at locations you travel to?
Currently I use a 42in shoot through umbrella and dont like it for 2 reason: - depending on what I shoot, its somtimes too small Shoot through umbrellas have other problems but that is a starter.
That is one of the other problems.
What I like about it is that its very easy and quick to setup.
That is certainty a very good reason perhaps the only good reason for using an umbrella The loss light that is bounced around in the room doesnt bother me.
So you don't mind having to spend more time or needing читать статью photons?
I understand what you mean, however, i'm just saying this aspect, is something I can compromise on.
So for my new light, im not sure what to do.
The eternal problem of photographers!
I think a softbox or diffuser panel would be better.
I посетить страницу I can make a diffuser panel myself with pvc pipes or large frames, im not sure what the material would be, but ideally, i'd like it if it could be held by some sort of stand so I can place this panel exactly where I need it and place the light behind.
This seems like an easy setup that can work with any light source.
Yes and you will need two stands and pivoting mounts.
The other advantages of using a diffusion panel are that they make it easy to produce a very wide variety of diffusion effects.
Diffusion material can be anything from a frosted shower shower curtain to the wide range of specialty diffusion materials made by Rosco and Lee.
Ok, any example of specific products for the stands and pivoting mount?
I'm looking on bhp for the mount and i'm not sure exactly what it should look like.
The softbox option seems like it would be the most hassle, Why is that?
Reason 2 also applies to diffusion panels: they make it easier to control the quality of light.
The other issue is that in terms of price, if I want a really large softbox at least larger than my 42umbrella then it could be quite expensive.
Are you doing this to make money?
Yes, I am making a little income from selling stock photography and want to re-invest some of what i've made so far.
If you have the space: a large diffuser panel.
You can even put your lights in a softbox or your existing umbrellas and shine them through the diffusion panel.
Also, the softbox might be less versatile, it might not work with certain led panels, might require specific mounts to attach etc.
None of детальнее на этой странице are true.
It is true that good soft boxes are not cheap but softboxes are far more versatile than umbrellas.
And makes a number of softboxes and mounts Встраиваемый холодильник Siemens KI86NKD31 work with different LED panels, Ellis Vener Free your 5 and the rest will follow.
With apologies to George Clinton.
With apologies to George Clinton.
Hey thanks for your answer.
I googled Dean Collins and just checked out one video on youtube, very interesting!
Also, that knife picture is very nice!
There seems to be more advantages to the diffuser panel than umbrellas and softboxes.
I think I'll go in that direction.
I looked up sun bounce, looks good but unfortunately it's too expensive.
I guess it shouldn't be too hard to make diy diffusion panels, that would also allow me to create a few different panel sizes for cheap.
Sony a5100 Sony Alpha NEX-3N Sony E 50mm F1.
I googled Dean Collins and just checked out one video on youtube, very interesting!
Also, that knife picture is very nice!
There seems to be more advantages to the diffuser panel than umbrellas and softboxes.
I think I'll go in that direction.
I looked up sun bounce, looks good but unfortunately it's too expensive.
I guess it shouldn't be too hard to make diy diffusion panels, that would also allow me to create a few different panel sizes for cheap.
Dean put together a whole booklet on making different frames out of PVC called Tinker Tubes.
It does show you how you can make a stand alone set 5 />He designed a lot of crazy stuff on there.
He also create special clamps called EC-1 clamps.
I don't think anyone sells them anymore but maybe you can find them for sale on Ebay or Amazon.
Or you can try and make your own with PVC pipes and some bolts and clamps maybe.
You can get an idea on the most basic ones just from the landing page on how to https://ugra.site/kartridzh/lentochniy-kartridzh-ibm-46x1290l.html them.
Again, any white material can be used for diffusion.
Heck, I know people that have used white bed https://ugra.site/kartridzh/kartridzh-hp-ce263a.html />As long as light can pass through it, it will work.
Rip Stop is very close to softbox material.
Cut it a tad smaller then the frame and them not Бинокль BRESSER Topas 8-24x50 think in some wide elastic bands in each corner to secure it.
Or velcro it all around the 5 />Art supply stores sell vellum.
It's like tracing paper.
It can work well too.
It's good if you need a very tight material with no wrinkles for when you shoot something that has a mirror like finish where you might see wrinkles.
Fujifilm X-H1 Fujifilm X-T3 Fujifilm XF 10-24mm F4 R OIS Fujifilm XF 56mm F1.
But you can't add a gridyou need a softbox for that.
And that makes a difference.
I personally use the umbrella white, shot through plus several hairlights for weddings, and big reflectors outdoor.
Because to setup the boxes is a real pain.
Interesting, thanks for the tip!
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Good travel cameras should be small, versatile, and offer good image quality.
In this buying guide we've rounded-up several great cameras for travel, and recommended the best.
Long-zoom compacts fill the gap between pocketable cameras and interchangeable lens models with expensive lenses, offering a great combination of lens reach and portability.
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